Cupid Chastised

Notes from the museum

Cupid Chastised depicts a moment of high drama: Mars, the god of war, violently whips the young boy, Cupid, as punishment for embroiling the god in an affair with the boy’s mother, Venus, the goddess of love. Venus tries in vain to stop the beating. Surrounded by darkness, the three figures are boldly illuminated from the left, intensifying the composition’s dynamism and impact. The physicality of the figures conveys the violent discord of the scene: the crouching, wide-eyed Venus; the furious, muscular Mars; and Cupid, whose naked flesh and recumbent position render him particularly vulnerable. On one level a tale of interpersonal conflict, the story also symbolizes the eternal conflict between love and war. Bartolomeo Manfredi chose to depict ordinary individuals in scenes from the Bible and Greek and Roman mythology. In so doing, he was following the example of the revolutionary early seventeenth-century artist Caravaggio, who had demonstrated to an entire generation of European artists that such lofty themes could be transformed into events experienced by ordinary people. Manfredi began his career as an artist in Rome by producing copies of Caravaggio’s works, including a painting (now lost) that likely inspired Cupid Chastised, commissioned by Caravaggio’s first major patron, the influential collector Cardinal Francesco Maria del Monte. Manfredi carried the Caravaggesque style fo

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

Slow Look

1. The whole picture Let your eyes wander. Where do they want to rest?
2. The light Find the brightest spot. What is it showing you?
3. The edges Look at what is half cut off at the borders.
4. One small detail Choose one tiny thing and stay with it for a while.
5. The whole picture again Step back. Has it changed for you?

About Bartolomeo Manfredi

Bartolomeo Manfredi was an Italian painter, a leading member of the Caravaggisti of the early 17th century.

Painter profile →