
Tip: move over the painting to use the lens.
Lady Sarah Bunbury Sacrificing to the Graces
Sir Joshua Reynolds · 1763–65
- Artist
- Sir Joshua Reynolds (English, 1723–1792)
- Date
- 1763–65
- Medium
- Oil on canvas
- Size
- 242.6 × 151.5 cm (95 1/2 × 59 3/4 in.)
- Made in
- England
- Style
- 18th Century
- Where to see it
- Art Institute of Chicago
Mr. and Mrs. W. W. Kimball Collection · CC0 Public Domain · Art Institute of Chicago · image via Wikimedia Commons · see it at the museum ↗
Notes from the museum
Dressed in Classically inspired robes, Lady Sarah Bunbury pours a libation of oil as an offering to the Three Graces, positioned behind her. Her soon-to-be husband, Charles Bunbury, commissioned this marriage portrait, making her association with the Graces—symbols of fertility and attendants to the Roman goddess of love, Venus—all the more appropriate. The first president of the Royal Academy in London, Sir Joshua Reynolds urged his fellow artists to paint historical and edifying subjects based on the art of antiquity and the Renaissance. As a portrait painter, he developed a grand style that ennobled the genre by giving his sitters Classical attributes and poses.
Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.
Slow Look
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- The light Find the brightest spot. What is it showing you?
- The edges Look at what is half cut off at the borders.
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- The whole picture again Step back. Has it changed for you?
About Sir Joshua Reynolds
Sir Joshua Reynolds was an English painter who specialised in portraits. The art critic John Russell called him one of the major European painters of the 18th century, while Lucy Peltz says he was "the leading portrait artist of the 18th-century and arguably one of the greatest artists in the history of art." He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769. He has been referred to as the 'master who revolutionised British Art.'
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