Madame Cezanne in a Yellow Chair

Notes from the museum

This portrait is one in a series of four Paul Cezanne made of his wife, Emélie-Hortense Fiquet, whom he met when she worked as an artist’s model. They had a son together in 1872 and married in 1886. Technical examination suggests that Cezanne traced this image, the second in the series, from the first portrait, which he made from life. In contrast to her masklike expression, Hortense’s hands are agitated, contorted by crisscrossing brushstrokes and the dark-blue outlines Cezanne used to sketch out the forms, which remain visible in the final work.

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

Slow Look

1. The whole picture Let your eyes wander. Where do they want to rest?
2. The light Find the brightest spot. What is it showing you?
3. The edges Look at what is half cut off at the borders.
4. One small detail Choose one tiny thing and stay with it for a while.
5. The whole picture again Step back. Has it changed for you?

About Paul Cezanne

Paul Cézanne was a French Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism.

Painter profile →