Mrs. Daniel Hubbard (Mary Greene)

Notes from the museum

John Singleton Copley was largely self-taught, his only formal training from his stepfather Peter Pelham, an English artist who specialized in mezzotint engraving. He nonetheless garnered considerable success as a portrait painter before the Revolutionary War. The sitter here, Mary Greene Hubbard, was a member of Boston’s merchant class (Copley’s portrait of her husband, Daniel Hubbard [1947.27], is also in the Art Institute collection). Her pose, gown, and background were precisely copied from a British engraving of a noblewoman, yet Copley distinguished the work as his own by capturing the figure’s individual features as well as the surfaces and colors of the luxurious fabrics. A decade later, he left colonial Massachusetts for England to further his career and simultaneously escape the strong political divides among family, friends, and patrons amid the impending Revolution.

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

Slow Look

1. The whole picture Let your eyes wander. Where do they want to rest?
2. The light Find the brightest spot. What is it showing you?
3. The edges Look at what is half cut off at the borders.
4. One small detail Choose one tiny thing and stay with it for a while.
5. The whole picture again Step back. Has it changed for you?

About John Singleton Copley

John Singleton Copley was an American-born British painter active in both the Thirteen Colonies and England. He is believed to have been born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and mod

Painter profile →