Woman in Front of a Still Life by Cezanne

Notes from the museum

The seated woman here remains unidentified, but the still-life painting dominating the background is well known: Paul Cezanne’s Still Life with Fruit Dish (1879–80; Museum of Modern Art, New York). Gauguin’s version is nearly the same scale as the original. In certain aspects of the compo-sition, Gauguin emulated Cezanne’s style, like the way he flattened the picture plane so that the woman appears to tip forward out of her chair. Before becoming an artist, Gauguin was an art collector. Cezanne’s Still Life —one of five or six works by the artist in Gauguin’s collection—was a touchstone in his artistic education. It is possible that Cezanne referred to this work when he accused Gauguin of stealing his style, which he called his “petite sensation.” This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

Slow Look

1. The whole picture Let your eyes wander. Where do they want to rest?
2. The light Find the brightest spot. What is it showing you?
3. The edges Look at what is half cut off at the borders.
4. One small detail Choose one tiny thing and stay with it for a while.
5. The whole picture again Step back. Has it changed for you?

About Paul Gauguin

Eugène Henri Paul Gauguin was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.

Painter profile →